Sunday, August 09, 2009

Wednesday, April 15, 2009

Tilt-shift.

I came across this really sweet music video that uses the tilt-shift technique to make regular real-life scenes appear miniature:


Bathtub IV from Keith Loutit on Vimeo.

A while ago I came across a tutorial that shows you how to use this effect on your photos using Adobe Photoshop. Here's an image I made with the effect way back in May of 2006:



Bye!

Thursday, April 09, 2009

An increasingly rare post.

Here are a couple of logos I did recently:





And some drawings:





That's it!

Thursday, March 26, 2009

Monday, March 02, 2009

Sammy J - 1999



Unbelievably awesome musical comedian Sammy J, who I've worked with previously, has a brand new show lined up for this year's Melbourne International Comedy Festival. It's called 1999, and it's gonna be an absolute killer-diller show. And I'm not just saying that because I wanted to use killer-diller in a sentence. These photos (sent to me from Sammy's iPhone - yay techmologies) are of the set backdrops I created. They're "slices of life" meant to give the impression of a set. One is of Sammy's bedroom, and the other his classroom, both circa 1999. They were heaps of fun to do, and it's amazing to see them printed up all big like this.



I created them all in vector art using Adobe Illustrator, which means they don't lose quality when being blown up to huge sizes. Here's what the bookshelf looks like:



And here's a little ad for the show. Go see it!



Bucky Buchanan




New Computer



My new set-up. Click it to big it!

Sunday, December 28, 2008

Uninhibited Scandinavians



My faves are the guy in blue at 0:50 and the girl in blue at 1:20.

Tuesday, December 16, 2008

Just some awesome clips from YouTube

"How Crayons Are Made" - An old-school Sesame Street clip. (I'm obliged to give "props" to Lucy Rogue for this.) I almost lost my shit when I heard this music:




"ZOOM" - An early 70's kid's show, for kids, by kids. You really only need to watch the first couple of minutes to get a full dose of the awesomeness:




"Swinging the Lambeth Walk" - A 1939 animation by Len Lye. Pretty amazing to think that this is all hand-painted and so superbly timed with the music:




"James Brown Teaches You To Dance" - My hero when it comes to dancing:



That's it!

Saturday, November 29, 2008

Illustrators Australia Update

I've updated my Illustrators Australia page for the first time in a while, just sticking in some new drawings and writing a little blurb to spruik myself.

No new drawings to show, but I don't think I've shown this before, so here's a business card design I did for a very talented violinist friend.

Wednesday, November 26, 2008

I dunno...




Feeling an intense lack of motivation to do anything creative. This is the best I could come up with after forcing myself to draw. I hear pandas are in this season.

Sunday, November 23, 2008

A bunch of quotes that made me think, smile or both.

I don't believe in everything these people have to say, but these excerpts interested me enough to save them. Have a read and think for yourself.

"We cannot change anything unless we accept it. Condemnation does not liberate, it oppresses." ~ Carl Jung

"Change is the end result of all true learning." ~ Leo Buscaglia

"he who defines himself
can't know who he really is" ~ Lao Tzu, Tao Te Ching, Verse 24

"None are so hopelessly enslaved as those who falsely believe they are free." ~ Johann Wolfgang von Goethe

"To be surprised, to wonder, is to begin to understand." ~ José Ortega y Gasset

"The natural tendency of the mind is to compare and contrast everything. One side of your mind says “this is the right choice,” while the other side says “you’re joking right?” This discord creates a battle of a judge and a victim inside your mind. To free your mind you have to transcend the judge and the victim. After all, does it make much sense that the same voice that caused you to do something is now chastising you? Regain the freedom of your mind by being impeccable with yourself, and never using your mind against you." ~ Jonathan Nasman

"I slept with faith and found a corpse in my arms on awakening; I drank and danced all night with doubt and found her a virgin in the morning." ~ Aleister Crowley

"An intellectual is a man who says a simple thing in a difficult way; an artist is a man who says a difficult thing in a simple way." ~ Charles Bukowski

"If you're not amazed at how naive you were yesterday,
you are standing still.
If you're not terrified of the next step,
your eyes are closed.
If you're standing still and your eyes are closed,
then you're dreaming that you're awake.
A caged bird in a boundless sky." ~ Jed McKenna

Stolid.




Hi guys. Sorry I haven't been posting much lately. I could give you an excuse, but it wouldn't fix anything.

Here's an oddity from a Peanuts animation that I thought I'd share with you. I fell in love with this piece of music the first time I saw The Man Who Wasn't There.



I'll leave you with that. Catch ya soon.

Thursday, October 30, 2008

Orca-smic


My drawing tablet died on me last week, so I got a replacement. It arrived today and I did this:



Click the pic for a wallpaper-sized version.

Thursday, October 23, 2008

There Was Blood


The following is comprised of the faint recalling of an incident, probably best left buried in the bottom drawer of my memory, and a dash of literary license to flesh out the details.

It was the winter of 1998. A Monday morning. I sat in the waiting room of our local GP, my mother on the chair next to me. To everyone else in the doctor's office, she seemed completely engrossed in the celebrity gossip rag she was reading, but to me, her expression was saying two distinct things at the same time. Number one, "I hope nothing terrible is wrong with you", and number two, "You'd better hope something is actually wrong with you for me to leave work and pull you out of school for this." She managed to communicate this without even as much as a glance in my direction. I kept quiet and thumbed through an old Reader's Digest. The feature article was about the Statue of Liberty, and although the monument had never held my interest in the past, I absorbed myself in the text. Anything to keep my mind from wandering towards more pressing matters.

Just as I was educating myself on the Statue of Liberty's French counterpart, the doctor swung open his door and read my name from a clipboard. As we followed the good doctor in, my mother raised her eyebrows and narrowed her gaze at me, as if to say "the next few minutes are going to be a true test of your resolve, young man". She knew what was to follow. I, on the other hand, did not.

An hour or so earlier, I was trying to persuade the school receptionist to let me call my mother.

"You don't seem very ill," she said, unconvinced.

"It's kind of embarrassing," I replied. "I'd rather not say what it is."

She looked me over from top to bottom, as if the invisible ailment would somehow make itself known to her. Eventually she shrugged, gave in, and handed me the phone.

"Mum, you need to come and get me."

"What's wrong? Are you okay?" There was genuine concern in her voice.

"I think I'm sick."

"What's wrong? Are you agito?" My mother has a habit of inserting Italian words and phrases into her speech. It's not that she didn't know how to say "upset stomach" in English, just that she was so used to hearing certain phrases from her own parents, that they trickled down a generation to our own ears.

"Kind of," I replied, somewhat cryptically.

"What do you mean, 'kind of'?"

"I'm just sick. Come and pick me up."

"Joseph, I'm not picking you up if you're not actually sick. Are you trying to get out of school again?"

"No!" I almost yelled, infuriated at the accusation.

"Then tell me what's wrong with you."

I sighed and palmed my forehead with my free hand. "Okay. So I went to the toilet, and after I went, when I looked down... there was blood."

"Blood? Where?"

"In the toilet."

I felt someone's gaze on me, and when I looked up, the receptionist's eyes darted frantically around the room, desperately trying to look every which way but mine.

"Oh my God. Are you okay? Are you sore?"

"Can you just come and pick me up?"

I spent the next ten minutes sitting in silence. There was a palpable tension between the receptionist and I, and it was clear that she had heard more than she'd cared to. She began busying herself with pointless tasks, clearly overcompensating for her discomfort. I watched as she photocopied some blank pieces of paper and then stapled them together. When a young student walked up to her desk and asked her for a tissue, she spent five minutes showing him how to correctly blow his nose. She was occupying herself any way she could. Anything to avoid turning her attention back to me. Anything to avoid the mental image of a toilet bowl full of dark red feces.

Of course, there was no such toilet bowl. And there were no such feces. At least none that I knew of. I had crafted that particular scenario entirely out of my imagination. It was the perfect excuse, born of years of experience with this sort of thing. It was not too minor as to be ignored, and yet not too outrageous as to be seen through as a lie. The imaginary evidence had been flushed away, unable to be sighted, yet unable to be denied. The proof was in the shame of it all. I mean, who would possibly invent such an embarrassing situation for themselves? It had to be believed. It was foolproof. Watertight. At least, that's what I thought.

As expected, the proceedings in the doctor's office were going as planned. My mother explained the situation, and the doctor set about giving me the as-usual once-over. Tongues were depressed, "ahs" were uttered and deep breaths were deeply breathed.

"Have you had a movement since then?" The doctor asked as he knelt in front of me, his icy cold stethoscope pressed against my chest.

"A movement?"

"He means, a bowel movement, Joseph. Have you been to the toilet again?"

"Oh," I replied. "No."

"Okay, well why don't you hop up onto this bed here." He unhooked the stethoscope from his ears and patted the thin, vinyl mattress on wheels behind him.

"Okay."

Between pulling down my shirt and climbing onto the hospital bed, I caught a glimpse of my mother. She had an unexpected expression on her face. It wasn't the gentle concerned countenance that a mother has for her ill child, nor was it the stare of accusation of a mother seeing through her child's rouse. It was something else entirely. Her scalp and ears were sitting a little farther back on her head than normal, and there was anxiety in her eyes. It was as if she herself were the one hopping up on the hospital bed, and she was positively dismayed at that prospect. It should have been fair warning of what was to follow, but it wasn't until the words came out of the good doctor's mouth that the pin finally dropped.

"Could you pull down your pants please Joseph?"

What? Could I do what? Suddenly, blood filled my head and my ears started burning. My throat seized up a little and I struggled eek out a reply. I looked at my mother, who's expression now read "this is going to hurt me as much as it's going to hurt you." Then I looked at the doctor, who was casually blowing into a latex glove.

I don't know if time actually slowed down or if my thoughts were moving at a pace heretofore unknown to me. I knew I had to act quickly. Was this a trick my mother and the doctor were pulling to catch me out? Were they in league together? Were they waiting for me to snap and admit that I made the whole thing up, that there never was any blood in the toilet, that, in fact, I hadn't actually taken a dump since the night previous?

I steeled myself. Suddenly, two disparate futures materialised in my mind.

In the first, I break down, crying out a guilt-ridden confession. My mother apologises to the doctor, yanks me out of the surgery and drives me back to school, and I'm a blubbering mess the whole way there. The receptionist shakes her head disapprovingly as I shuffle through the entrance. She is a prison guard and I the recently escaped convict, my feet now re-shackled and my hands cuffed tightly behind my back.

In the second, I lay on a bed. My bed. In my room. At home. A glass of chocolate milk by my side and a Sega controller in my hands. Peace. Freedom. The entire day to myself. An infinity of possibilities, unhampered by the fascist regime of the six-hour school day.

It was clear what needed to be done. A simple sacrifice was all it would take. An unbuttoning of the waistband, and a surrender to the long, cold finger of fate.

Friday, October 10, 2008

Google makes me unorginal.

There's this website. I'm not sure if you've heard about it.

It's called Google.

Google steals my imagination and makes me unoriginal.

Just now, I was thinking about corn. Corn kernels, to be precise. I'm a wordy kind of guy, so naturally, upon dwelling on corn kernels, I soon started thinking about the word "kernel". Kernel. Then I thought, hey, that's homonymous with the word colonel.

Within seconds, I had fully realised a character named "Kernel Cob" in the landscape of my mind.

Kernel Cob is basically a giant ear of corn in a military outfit.

Genius, no?

Well...

So before sitting down to plan out an entire multi-million dollar franchise based around my ingenious invention, habit compelled me to do a quick Google search for "Kernel Cob". Naturally, I expected it to return a whole mess of results about corn - after all, kernels and cobs are common parlance when discussing corn - but what I did not expect to find, was this:



Not only did I discover, to my utter dismay, that someone had already thought of the idea of a giant ear of corn dressed in colonel's garb, but Google provided me with 31 pages from the book in which Kernel Cob makes his glorious debut.

This is not an isolated incident, mind you. There were countless others, but those ideas are currently dwelling in the dank, dark recesses of my mind, too ashamed to enter the light of consciousness for fear of being seen as the fraudulent conceptions that they are. The "Kernel Cob" fiasco just so happens to be a fresh occurrence, which lended itself nicely to these words you are currently reading.

I love the Internet, I'll be the first to admit that. The information afforded to us by the World Wide Web is incalculable compared to the information that previous generations had access to, and I'm sure that our global society will eventually be better off for it.

But fuck and hell, Google. Fuck and hell. Let me keep some ideas for once, eh?

New Jobs



Click for big.

Here's a scene mock-up I did for a series of animations titled "Great Moments in Australian History". I was hired to do some character design work, which is super cool and just the sort of work I want to be doing. The series is currently being pitched, and hopefully the pilot episode will be underway soon.

Just realised there's a bit of Guybrush Threepwood in the Wentworth character.

Also, I've been working on a bunch of print ads for "Sammy J in the Forest of Dreams". The people producing the show are doing a great job promoting it, so the ads should be currently plastered all over Melbourne. The show has just toured the UK and is now showing in Australia again at the Melbourne Fringe. They've also got an extended post-Fringe run at the Lithuanian Club, so if you're a Melburner, there's no excuse for not seeing it this time. And I highly recommend you do.





I'm also in the process of designing the poster for The Santaland Diaries, a one-man show written by David Sedaris. Nothing to show from that yet, but I'll post something soon.

And lastly, yesterday I got asked to do an illustration for "Be" magazine, which sounds like a fun gig, although nothing to show from this yet either.

I'll leave you with this radical 90's dude. Hipsters are totally bringing this look back:



G'bye!

Wednesday, October 08, 2008